
My Name Is Alfred Hitchcock
2023

2018
Director
Mark Cousins
Runtime
111 minutes
Average Rating
No ratings yetSynopsis
A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film maintains a neutral stance regarding queer identities. It prioritizes the technical analysis of Welles's visual perspective over a social history of his personal life.
Gender Representation
The narrative centers on the male genius archetype. While it avoids demeaning women, it focuses almost exclusively on the creative agency of Orson Welles.
Racial & Ethnic Diversity
The documentary operates within the historical context of mid-20th-century Hollywood. It focuses on the formalist achievements of a white, Western auteur without centering intersectional racial dynamics.
Religious & Cultural Diversity
The film celebrates the foundations of classical Hollywood and European influences. It adopts a fluid, non-traditional storytelling approach but remains rooted in the Western cinematic canon.
Disability Representation
There is no evidence that physical or neurodivergent disabilities serve as a primary narrative driver in this exploration of cinematic language.
Strengths
Areas for Improvement
AI Analysis
Mark Cousins delivers a formalist visual essay that deconstructs the cinematic language of Orson Welles. Rather than a traditional biography, the film uses a poetic, non-linear structure to examine the subject's aesthetic contributions and visual semiotics. Because the work is a specialized scholarly examination of a single auteur, it lacks intersectional social commentary. The focus remains strictly on the 'eye' and the technical mastery of a singular figure within the Western canon. Ultimately, the film's narrow academic scope means it does not engage with contemporary identity politics, focusing instead on the evolution of film language through Welles's unique perspective.

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