
Machines
2017

Representation Score
Good
2014
Director
Denis Côté
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Denis Côté’s work prioritizes formalist experimentation and sensory experience over explicit identity politics. By focusing on the rhythmic relationship between workers and machinery, the film avoids traditional character-driven dramas that typically anchor diversity discussions. The film succeeds in subverting Western industrial narratives, moving away from themes of alienation to explore human ability to act. This provides a unique cultural perspective that challenges standard capitalist critiques. However, the lack of explicit character arcs or detailed identity markers limits the depth of representation. The film functions more as an observational study of movement than a platform for specific social identities.
Category Breakdown
The film avoids traditional romantic relationships and focuses on repetitive motion and sensory experiences. While specific LGBTQ+ identities are not detailed, the absence of typical domestic narratives allows for non-traditional modes of being.
The film disrupts traditional gender hierarchies by focusing on skillful interaction with tools rather than heroic or provider archetypes. This flattens masculine leadership roles in favor of a collective, rhythmic existence.
The film presents the factory floor as a universal human experience rather than a Western-centric one. By focusing on mechanical and sensory elements, it bypasses specific social hierarchies for a more primal observation.
Côté subverts standard Western critiques of industrialism by framing labor as human adaptation rather than exploitation. This shifts the narrative from capitalist critique to a study of human ability to act and skill.
The film emphasizes skillful interaction within bizarre environments, suggesting an interest in non-standard ways of perceiving the world. The focus on sensory input aligns with different modes of sensory processing.
Present on Screen
Limited or Absent
Official Synopsis
Que ta joie demeure is not a documentary about being a slave to the machine, alienation, dehumanisation or exploitation. Sound and image, editing and dramatic structure are merely employed to transpose workshops and factory floors into the cinematic space so as to explore the bizarre environments that workers adapt to and with which they skillfully interact, as if humanity had never done anything else since time immemorial.

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