The film lacks explicit queer themes or non-cisnormative identities. The narrative remains confined to traditional horror tropes of the era, offering no discernible queer agency.

While the plot centers on a female protagonist and a female spirit, their agency is tied to supernatural possession. This reinforces tropes of female vulnerability rather than subverting gender hierarchies.

The film appears to reflect the homogeneous casting standards of 1970s Western horror. There is no indication of a diverse cast or the inclusion of non-Anglo-Saxon characters.

The story relies on a standard supernatural framework involving family tragedy. It avoids critiques of Western institutions or organized religion, focusing instead on the disruption of the family unit.

There is no evidence that the concept of possession is used to provide a nuanced depiction of disability or neurodivergence. The characters lack agency regarding these conditions.