The film lacks any evidence of non-cisnormative gender identities. It follows traditional horror tropes without exploring queer themes or critiquing heteronormativity.

While the story centers on a female protagonist, her agency is tied to psychological instability and supernatural vulnerability. The narrative does not appear to subvert gender hierarchies.

There is no indication of a diverse or non-white cast. The film seems to adhere to the demographic norms typical of 1980s American horror productions.

The setting utilizes traditional Western funerary rites and religious structures to drive the horror. It lacks any narratives that critique these established cultural systems.

No characters with visible or invisible disabilities are portrayed with agency. The plot focuses on supernatural possession rather than disability-related themes.