The film contains no evidence of queer narratives or non-heteronormative identities. The story focuses on a traditional possession plot.

The narrative centers on a young boy, suggesting a traditional character arc. There is little indication of female presence or the subversion of gender hierarchies.

The inclusion of an Indigenous medicine man introduces non-Western spiritual elements. However, the portrayal risks relying on established 1970s horror tropes rather than nuanced cultural depth.

The film utilizes non-Western spirituality to drive its horror elements. It challenges secular norms through possession but remains within conventional genre boundaries.

There is no information regarding the depiction of neurodivergence, mental health, or physical disabilities within the film.