You are here:

Entr'acte

Name: Entr'acte
Director: René Clair
Released: 1924
Duration: 22 min

Representation Score

1.6/10

Minimal

1924

Director

René Clair

Runtime

22 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Entr'acte is a foundational Dadaist work that emphasizes aesthetic absurdity over conventional storytelling. It serves as a rhythmic, surrealist montage meant to disrupt viewers' expectations of cinematic structure. While the film lacks traditional demographic representation regarding race, gender, and LGBTQ+ identity, it excels in subverting cultural norms. The creators use chaos to critique the organized, disciplined structures of early 20th-century society. Ultimately, the film focuses more on deconstructing systemic social norms through visual absurdity rather than exploring individual identity.

Watch this, not that →

Category Breakdown

Does Entr'acte have LGBTQ+ representation?

Minimal

The film does not depict any non-straight relationships or queer stories. Since it is an avant-garde piece without character-driven plots, it does not explore sexual orientation.

How does Entr'acte portray gender?

Limited

The visuals remain traditional, showing dancers and performers in stylized roles. It does not challenge traditional gender power dynamics.

How racially and ethnically diverse is Entr'acte?

Minimal

The production reflects the homogeneous demographics of the 1920s French avant-garde scene. There is no indication of diverse ethnic perspectives or inclusive casting.

How does Entr'acte represent religion and culture?

Good

The film effectively mocks traditional Western social structures through surreal vignettes. It criticizes the organized, rigid structures of early 20th-century society.

Does Entr'acte include disability representation?

Minimal

There is no representation of neurodivergent or physical disabilities. These traits are not used as narrative devices in the film.

Present on Screen

High intentionality in subverting cultural norms
Effective critique of bourgeois rituals and institutional rigidity through surrealism
Successful dismantling of Western storytelling logic via fragmented montage

Limited or Absent

Lack of diverse ethnic perspectives or inclusive casting
Minimal representation of non-straight relationships or queer stories
No representation of neurodivergent or physical disabilities

Official Synopsis

Stop-motion photography blends with extreme slow-motion in Clair's first and most dada film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.

How are these scores produced? →