The film lacks specific depictions of non-heteronormative identities or queer narratives. As a non-narrative avant-garde piece, it does not utilize character-driven arcs to explore sexual orientation.

The visual landscape remains relatively traditional, primarily featuring dancers and performers in stylized roles. It lacks the intentional subversion of gendered power dynamics necessary for a higher score.

The production reflects the demographic homogeneity of the 1920s French avant-garde scene. There is no evidence of diverse ethnic perspectives or intentional color-blind casting.

The film excels in disrupting traditional Western social structures. Through surrealist vignettes, it mocks bourgeois rituals and institutional rigidity to critique established social order.

There is no discernible representation of neurodivergence or physical disability. Such traits are not utilized as narrative devices within the film.