
Falkenau, the Impossible
1988

Representation Score
Fair
2014
NRDirector
André Singer
Runtime
75 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Night Will Fall serves as a vital historical record rather than a contemporary narrative centered on identity politics. Its primary strength lies in its ability to disrupt historical erasure by providing undeniable evidence of systemic atrocities. By documenting the collapse of the Third Reich, the film highlights the dangers of absolute state power and extremist ideologies. However, the documentary's reliance on archival military footage limits its representation of diverse ability to act. The perspective is often filtered through the lens of liberating soldiers, which shapes how different groups are observed. While it documents the victims of systemic cruelty, it does not actively center modern multi-layered identities. Ultimately, the film's value is found in its commitment to historical accountability. It favors a harrowing, complex truth over sanitized versions of history, making it a profound critique of the institutions that allowed such violence to occur.
Category Breakdown
The film focuses on the liberation of Nazi concentration camps. There are no LGBTQ+ characters or narratives addressing non-straight relationships.
The narrative centers on Allied liberation efforts. While documenting victims of oppression, the primary ability to act in the footage is held by male military personnel.
The film uses diverse Allied footage, including Soviet and American newsreels. It records the systemic harm to various ethnic and racial groups within the camp systems.
The film critiques ultra-nationalism and the corruption of state institutions. It provides a factual record of human rights violations, prioritizing historical truth over nationalistic myth-making.
The documentary captures the physical devastation of survivors. It presents the reality of trauma and physical consequences as a direct result of state-sponsored violence.
Present on Screen
Limited or Absent
Official Synopsis
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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