
Now
2021

1970
Director
Sheldon Rochlin
Runtime
105 minutes
Average Rating
No ratings yetSynopsis
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film documents a movement that inherently challenges heteronormative structures. The Living Theatre's work frequently utilized non-traditional gender expressions and communal intimacy to disrupt social mores.
Gender Representation
The production captures a theatrical frenzy designed to dismantle traditional power dynamics. It emphasizes the blurring of gender roles and the rejection of patriarchal leadership through egalitarianism.
Racial & Ethnic Diversity
The film's European settings suggest a cosmopolitan, multi-ethnic assembly. However, the focus remains more on ideological themes than on specific demographic compositions.
Religious & Cultural Diversity
The work functions as a critique of capitalism, organized religion, and the state. It prioritizes subjective, experiential truth over institutionalized reality and traditional Western stability.
Disability Representation
There is no evidence available to evaluate the portrayal of physical or neurodivergent disabilities in this film.
Strengths
Areas for Improvement
AI Analysis
Sheldon Rochlin’s documentary captures the radical essence of the Living Theatre, focusing on the subversion of social hierarchies. The film succeeds in documenting a movement that actively sought to dismantle traditional Western structures through communal expression. The strength of the work lies in its cultural critique and its ability to translate a chaotic theatrical event into poetic cinema. It provides a vital look at counter-cultural movements that challenged the status quo of the 1970s. However, the film's focus on ideology over specific demographics limits its clarity regarding racial and ethnic representation. Additionally, the lack of information regarding disability representation leaves a gap in the assessment of its inclusivity.

2021

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1995

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2022

2005
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