You are here:

Daughters of Satan

Name: Daughters of Satan
Director: Hollingsworth Morse
Released: 1972
Duration: 90 min

Representation Score

1.9/10

Minimal

1972

Director

Hollingsworth Morse

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Daughters of Satan follows the traditional genre conventions of early 1970s horror. It relies on well-known supernatural dread and established archetypes rather than intentional social critique or diverse storytelling. The narrative centers around a male protagonist’s experience with a mysterious painting, offering little space for diverse perspectives or social subversion. Ultimately, the film functions as a typical product of its time without challenging social norms.

Watch this, not that →

Category Breakdown

Does Daughters of Satan have LGBTQ+ representation?

Limited

The film centers on a supernatural painting and the tensions it causes in a marriage. It does not include characters with non-binary gender identities or challenge the idea that everyone is straight or cisgender.

How does Daughters of Satan portray gender?

Fair

Women in the film are portrayed through psychological or supernatural instability. They are often presented as objects of mystery rather than having proactive roles in the story.

How racially and ethnically diverse is Daughters of Satan?

Minimal

The film seems to follow the homogeneous casting standards typical of 1970s Western horror movies. There is no indication of a diverse cast or efforts to integrate different races.

How does Daughters of Satan represent religion and culture?

Limited

The story uses classic Western gothic themes such as witchcraft and burning at the stake. It focuses on individual psychological horror rather than critiquing religious or social institutions.

Does Daughters of Satan include disability representation?

Minimal

There are no characters with visible or invisible disabilities in the film.

Present on Screen

Uses classic Western gothic motifs to create a sense of supernatural dread.

Limited or Absent

Women in the film lack proactive roles and are often framed as objects of mystery.
The film does not represent LGBTQ+ identities or non-assuming gender matches what was assigned at birth narratives.
It adheres to homogeneous casting standards with little racial or ethnic diversity.
The film does not engage in critiques of religious or social institutions.

Official Synopsis

A man buys a painting depicting witches being burned at the stake, one of whom bears an uncanny resemblance to his wife.

How are these scores produced? →