The film lacks any evidence of non-heteronormative identities. The central conflict relies on a traditional romantic pairing between a man and a woman.

The story focuses heavily on the male protagonist's personal decline and alcoholism. While Michelle is a central figure, she primarily serves as a catalyst for the male experience.

The film centers on the working-class identity of the Tepito neighborhood. It provides agency to characters of humble origins rather than focusing on elite social circles.

The narrative critiques systemic inequality through the friction between different socioeconomic classes. It rejects idealized family tropes in favor of a cynical, realistic view of social mobility.

There is no documented evidence of characters with visible or invisible disabilities. The narrative does not integrate neurodivergence or chronic illness into its arc.