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Don't Count On Your Fingers

Name: Don't Count On Your Fingers
Director: Pere Portabella
Released: 1967
Duration: 26 min

Representation Score

5.0/10

Fair

1967

Director

Pere Portabella

Runtime

26 minutes

Average Rating

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New Showbiz Analysis

Don't Count On Your Fingers serves as a stylistic rebellion against the rigid institutional standards of the Franco regime. It functions more as a tool for challenging state discourse rather than showcasing diverse identities. The film's strength lies in its intellectual resistance, using the poetry of Joan Brossa to dismantle state-sanctioned narratives. It prioritizes systemic critique over explicit identity-based representation. While the film excels in signaling cultural and anti-institutional themes, it remains limited by the historical casting realities and lack of specific documentation regarding LGBTQ+ or racial diversity.

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Category Breakdown

Does Don't Count On Your Fingers have LGBTQ+ representation?

Fair

The film doesn't explicitly address non-binary gender identities. However, it aims to challenge the era's assumption that everyone is straight or cisgender.

How does Don't Count On Your Fingers portray gender?

Fair

The story focuses on breaking down traditional gender roles through language and structure. This avant-garde approach likely disrupts the typical gender roles and hierarchies found in 1960s Spanish cinema.

How racially and ethnically diverse is Don't Count On Your Fingers?

Limited

The film reflects the demographics of Spain in 1967. While it doesn't have a diverse cast, it tries to challenge the uniform cultural narrative of the time.

How does Don't Count On Your Fingers represent religion and culture?

Excellent

The work provides a nuanced critique of the state's imposed morality and institutional control. It uses poetic abstraction to resist the ways the regime shapes public opinion.

Does Don't Count On Your Fingers include disability representation?

Minimal

There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities in this work.

Present on Screen

Strong critique of the era's advertising and institutional discourse.
Sophisticated use of poetic abstraction to bypass state censorship.
Effective challenge of traditional social and moral hierarchies.

Limited or Absent

Lack of explicit, documented representation for LGBTQ+ identities.
Limited racial and ethnic diversity reflecting the era's demographic constraints.
Absence of visible representation for physical or neurodivergent disabilities.

Official Synopsis

Pere Portabella’s first work as a director starts with the following phrase: “defeated…but not conquered”. This may or should be taken as an allusion to the technical K.O. taken by Portabella from Franco’s regime during the sixties as regards his work as a producer. Through the extremely raging playthings of the words of Catalan poet Joan Brossa, Portabella attempts to dismantle the forms of advertising discourse of that time.

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