The film follows a traditional Gothic framework centered on ancient curses. There is no evidence of non-cisnormative gender identities or depictions of same-sex intimacy.

The narrative utilizes traditional gender hierarchies. The female protagonist is depicted through a lens of vulnerability, serving as a vessel for supernatural forces rather than an agent of her own destiny.

The film employs an Orientalist framework, using Egyptian elements as exoticized plot devices. It lacks a diverse cast or meaningful character depth for non-Anglo-Saxon figures.

The story reinforces a Western-centric worldview where the foreign is presented as a source of corruption. It lacks engagement with secularism or anti-capitalist themes.

There is no evidence of characters with visible or invisible disabilities being portrayed with agency. The film does not engage with neurodivergence or physical disability.