The story focuses on heteronormative romantic subplots, such as Eggsy's relationship with Princess Tilde. It lacks active integration of queer narratives or non-cisnormative identities into its central character arcs.

Women occupy positions of high-level agency and combat proficiency, notably through the competent antagonist Poppy Adams. The Statesman agency also features female agents, promoting gender parity in professional combat roles.

The introduction of the Statesman agency provides a multi-ethnic cast that contrasts with the Anglo-centric Kingsman. This global ensemble helps avoid the homogeneity typical of the spy genre.

The film contrasts traditional British gentleman archetypes with casual American identities. It reimagines family through surrogate agency structures rather than traditional biological kinship.

There is no significant engagement with visible or invisible disabilities. Characters are defined almost exclusively by their physical prowess and combat utility.