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Big Money

Name: Big Money
Director: Alfred J. Goulding
Released: 1930
Duration: 14 min

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Representation Score

0.4/10

Minimal

1930

Passed

Director

Alfred J. Goulding

Runtime

14 minutes

Average Rating

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New Showbiz Analysis

Big Money is a product of the 1930s studio system, emphasizing situational comedy over social complexity. The narrative hinges on established clichés of the era, particularly those centered around a traditional nuclear family dealing with a comedic misunderstanding. Representation is limited, as the film adheres to the homogeneous and conventional social structures of its time. Characters serve as archetypes within a domestic setting, providing little room for diverse identities or subversion of the status quo. Ultimately, the film functions as a typical period farce that avoids engaging with diversity, focusing instead on the predictable dynamics of a bumbling patriarch and his wife.

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Category Breakdown

Does Big Money have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or stories related to non-cisgender identities. The plot revolves around a traditional marriage misunderstanding.

How does Big Money portray gender?

Limited

Gender roles follow typical 1930s stereotypes, featuring a clumsy patriarch and an unsuspecting matriarch. Humor centers on domestic trickery rather than empowering women.

How racially and ethnically diverse is Big Money?

Minimal

The cast appears uniform and typical of the era's studio productions. There is no indication of racially diverse casting or non-white leads.

How does Big Money represent religion and culture?

Limited

The story follows conventional Western social norms and situational comedy. It does not address religious critiques or systemic institutions.

Does Big Money include disability representation?

Minimal

The film does not feature any characters with visible or invisible disabilities. The narrative excludes neurodivergent characters.

Present on Screen

The film offers a clear glimpse into the conventional comedic structures and domestic archetypes prevalent in early 1930s studio cinema.

Limited or Absent

The film lacks meaningful representation of LGBTQ+ identities, racial diversity, or characters with disabilities.
Gender roles are confined to traditional stereotypes, offering limited empowerment or subversion for female characters.

Official Synopsis

In the fifth of WB's Potter Family series, based on the characters created by J.P.McAvoy, Pa Potter (Lucien Littlefield) gets a job as a professional divorce-case correspondent. He is hired by a lawyer to make love to the wife of a man seeking a divorce. The problem is that Pa forgets to tell Ma (Lucille Ward) it is all make-believe.

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