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The Last Page

Name: The Last Page
Director: Terence Fisher
Released: 1952
Duration: 84 min

Representation Score

1.0/10

Minimal

1952

Director

Terence Fisher

Runtime

84 minutes

Average Rating

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New Showbiz Analysis

The Last Page is a conventional mid-century crime drama that adheres to the social hierarchies of its time. The plot revolves around a male protagonist's infidelity and the resulting blackmail, emphasizing male-driven crises over diverse perspectives. Representation is limited, with the film relying on traditional gender stereotypes and a likely homogeneous cast. The narrative lacks complexity in reflecting multiple aspects of identity, focusing instead on the transgression of established marital and social standards typical of 1950s cinema.

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Category Breakdown

Does The Last Page have LGBTQ+ representation?

Minimal

The film portrays a heterosexual relationship between a married man and a female clerk. There are no characters with non-binary gender identities or critiques of the assumption that everyone is straight or cisgender.

How does The Last Page portray gender?

Limited

The story reinforces traditional gender roles by depicting the female clerk as a 'sexy blonde' who triggers male conflict. She seems to serve mainly as a plot device rather than an independent character.

How racially and ethnically diverse is The Last Page?

Minimal

The film likely reflects the homogeneous casting practices of 1952 British cinema. There are no indications of a diverse cast or non-white characters.

How does The Last Page represent religion and culture?

Limited

The story is grounded in traditional social morality concerning infidelity and blackmail. It does not challenge or deconstruct Western social norms.

Does The Last Page include disability representation?

Minimal

The synopsis does not mention any characters with visible or invisible disabilities.

Present on Screen

The film offers a clear, genre-driven exploration of mid-century melodrama and the consequences of social transgressions.

Limited or Absent

The narrative lacks substantial roles for female characters, treating them primarily as objects of desire or plot catalysts.
There is a notable absence of racial, cultural, or LGBTQ+ diversity within the storytelling.
The film reinforces traditional gender hierarchies rather than challenging them.

Official Synopsis

A married bookstore owner is blackmailed after he makes a pass at his new sexy blonde clerk.

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