The film follows a traditional Gothic horror framework centered on heteronormative obsession. There is no evidence of queer narratives or non-cisnormative identities within the story.

Female characters function primarily as conduits for the vampire's revenge rather than independent agents. The narrative drive relies on a male protagonist's agency and obsession.

As a Mexican production, the film offers a non-Anglo-Saxon cast. However, the plot leans toward Eurocentric Gothic tropes involving European historical legacies.

The plot relies on established folklore and traditional moral binaries. It lacks significant secularist critiques or postmodern deconstructions of cultural norms.

The undead status of the vampires serves as a genre trope rather than a nuanced exploration of disability. No characters with disabilities are portrayed with agency.