The film adheres to traditional 19th-century social structures. It focuses on heteronormative marriage and lacks any depiction of non-cisnormative identities or same-sex intimacy.

Female characters like Gemma are defined by familial ties and romantic pursuit. The narrative reinforces patriarchal hierarchies and centers male agency within the social masquerade.

The cast is ethnically homogeneous, reflecting its 19th-century Italian setting. The story focuses on internal class stratification rather than racial or intersectional identities.

The film provides a nuanced critique of class-based hierarchies. It juxtaposes declining nobility with the working class, presenting the poor with significant dignity.

There are no depictions of physical or neurodivergent disabilities. Characters are defined by their socioeconomic status rather than their health or physical abilities.