
Zoya
1944

Representation Score
Limited
1947
K-16Director
Leonid Lukov
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Private Aleksandr Matrosov exemplifies mid-century state realism. The film's narrative structure reinforces national cohesion and ideological unity, avoiding exploration of diverse identities. While the film lacks diversity in terms of gender, race, and LGBTQ+ representation, it effectively conveys the state-driven, secularist, and anti-capitalist values of the Soviet era. It prioritizes collective identity over individual ability to act, using the protagonist's sacrifice to support a specific ideological framework.
Category Breakdown
The film does not depict any non-straight relationships or same-sex intimacy. It focuses solely on traditional masculine bonds and national duty.
The story emphasizes strict gender hierarchies, with male soldiers as the main agents of history. Women are limited to secondary or domestic roles.
The cast is predominantly made up of the same ethnic group, reflecting the specific Soviet units depicted. There is no intentional mixing of diverse ethnic groups.
The film promotes state-sanctioned secularism and atheism. It portrays the conflict as a struggle between socialism and fascist aggression.
There is no meaningful depiction of neurodivergence or physical disabilities. Characters are shown through the lens of physical perfection and martial utility.
Present on Screen
Limited or Absent
Official Synopsis
The film is about the exploit of a nineteen-year-old soldier of the Great Patriotic War - Alexander Matrosov, who covered the embrasure of the enemy's bunker with his body.

1944

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