
The Howl of the Devil
1988

Representation Score
Minimal
1975
Not RatedDirector
Michel Lemoine
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Seven Women for Satan is a traditional horror film that adheres closely to the social norms of its 1975 setting. It explores themes of aristocratic madness and occult mystery without challenging societal norms. The film’s main strength lies in its focus on a group of women, but this is limited by a narrow, Eurocentric social structure that excludes diverse identities. Ultimately, the film relies on established horror clichés and a homogeneous society, failing to disrupt conventional hierarchies.
Category Breakdown
The film does not include any characters with LGBTQ+ identities or non-straight relationships. The interpersonal dynamics follow traditional social norms, with no significant presence of queer identity.
While the story focuses on a group of women, it does not significantly challenge traditional gender hierarchies. The women play key roles in solving the mystery, but they still conform to societal expectations.
The setting portrays an aristocratic, high-society environment that appears racially uniform. There is no indication of diverse racial backgrounds or actors from different ethnicities.
The film uses occult and ritualistic elements typical of horror movies. It does not offer a critique of Western institutions or promote secular values.
The movie does not feature any characters with visible or invisible disabilities. The storyline focuses on psychological tension without addressing neurodiversity or physical disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Boris Zaroff is a modern businessman who is haunted by his past -- his father was the notorious Count Zaroff of The Most Dangerous Game fame. Consequently, Boris is subject to hallucinations and all-too-real social lapses which normally involve sadistic harm to beautiful naked young women. His butler is sworn to indoctrinating him into the evils of the family line, and their castle's torture dungeon proves quite useful in this regard. However, Boris is periodically lured away from his destiny by the romantic apparition of the deceased countess who previously owned the castle.

1988

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