
Shulie
1997
No Poster Available
Representation Score
Good
1989
Director
Barbara Hammer
Runtime
9 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Barbara Hammer’s *Still Point* is a groundbreaking piece of avant-garde cinema that redefines the cinematic gaze. By centering queer subjectivity and women's ability to drive the story, the film challenges patriarchal structures. The work uses sensory experiences to affirm underrepresented identities, making female-to-female intimacy and autonomy central to the narrative. However, the film’s scope is limited. While it excels in addressing gender and sexuality, it does not engage deeply with racial diversity or disability, leaving those aspects largely unexplored.
Category Breakdown
The film explores lesbian intimacy and non-straight relationships to challenge traditional norms. It uses sensory experiences of touch to affirm lesbian identities.
This work challenges traditional gender roles by presenting women as active agents. It emphasizes female control and autonomy through a female-focused perspective, avoiding the stereotype of women as passive objects.
While the film focuses on gender and sexuality, it acknowledges socioeconomic differences through urban settings. However, it lacks a diverse racial cast and does not explore multi-layered racial dynamics.
The narrative questions established social norms and institutional morality. It examines how social position and privilege shape perceptions, reflecting postmodern critiques of dominant Western structures.
The film does not address physical or neurodivergent disabilities. The focus remains on gendered and sexualized bodily experiences.
Present on Screen
Limited or Absent
Official Synopsis
‘Still Point’ serves as Barbara Hammer’s definitive reassessment of 70’s cultural feminism. She literally places side-by-side the romantic image of her companion walking and stretching under the sun in a landscape and the gritty realism of a methodical garbage picker on the street of New York city, pushing a shopping cart and moving on to the next waste container. Our world view must encompass both realities, the film indicates. Privilege can’t obscure vision.

1997

1977

1990

1976

1976

1995

1971

1992
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.