
Der subjektive Faktor
1981

Representation Score
Good
1997
Director
Elisabeth Subrin
Runtime
37 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Shulie is a sophisticated experimental film that uses careful reenactments to challenge traditional storytelling methods. It highlights the ability to act of a radical feminist figure, emphasizing the intellectual power of women. The film excels in its challenge to traditional gender roles and its deep engagement with feminist ideas. It transforms a passive historical figure into an influential intellectual force. However, the film's focus on a predominantly white academic environment limits its exploration of racial and ethnic diversity. While it touches on systemic issues, the visual representation remains centered on a narrow social sphere.
Category Breakdown
The film explores non-traditional gender roles through the intellectual legacy of its subject. Although it doesn't show intimate relationships between people of the same sex, it works within a framework that supports radical feminism.
By focusing on Shulamith Firestone, the film highlights the intelligence and active role of women. It transforms a passive documentary subject into an influential figure in history.
The film looks at a specific moment in history within an academic environment that is mostly white. It examines how class and gender interact within these institutional structures.
The work emphasizes personal truth and questions established Western institutions. It explores how historical truths are understood and reinterpreted through modern identity politics.
There is no specific mention of physical or cognitive disabilities in the film.
Present on Screen
Limited or Absent
Official Synopsis
Elisabeth Subrin’s masterful film is a shot-by-shot reenactment of an unreleased 1967 documentary portrait of SAIC student Shulamith Firestone, who, a few years later, would become a central figure in the rise of radical feminism. Through its meticulous staging, the film expresses in Subrin’s words, “the residues of the past,” and the resonance of issues around gender and class today. (Gene Siskel Film Center)

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