
Revenge
1928

Representation Score
Minimal
1922
Director
Elvira Notari
Runtime
62 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Elvira Notari’s work employs a 'verismo' style to ground the drama in the gritty realities of the working class. This approach provides a more authentic social texture compared to the idealized high-society films of the 1920s. However, the film adheres to traditional gender roles and straight-centered structures. Female characters primarily serve as catalysts for male action or as archetypal maternal figures. Ultimately, the film's strength lies in its refusal to sanitize moral instruction, opting instead to depict systemic dysfunction and tragic obsession.
Category Breakdown
The film focuses on a heterosexual relationship triangle. There are no indications of queer subtext or non-cisgender identities in the narrative.
Margaretella plays a central role as an object of desire, but she has limited control over her own fate, confined to romantic preferences. Male characters dominate the physical conflict through theft and violence.
The film highlights the socio-economic conditions of the Italian working class. It avoids the upper-class homogeneity typical of early silent cinema.
The story examines the collapse of social order and the failure of traditional domestic stability. It deconstructs the ideal family unit through tragedy.
There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
In order to conquer Margaretella with expensive presents, a young man called Tore steals his mother's jewels but Margaretella seems to prefer Carluccio who challenges Tore to a duel and wounds him. Forgiven by his mother just before she dies, Tore takes revenge by killing Margaretella, but even in prison he can't stop thinking to his victim.

1928

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1929

1923

1922

1954

1915

1925
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