The film centers Sergei Diaghilev’s identity and his relationships with male dancers as core drivers of the company's history. This approach validates queer agency within the high-art canon and disrupts heteronormative historical narratives.

Female dancers are portrayed with significant agency and technical mastery rather than as submissive figures. The documentary highlights their professional impact despite the era's male-dominated structural hierarchies.

The narrative explores a cosmopolitan tapestry of Eastern and Western European identities shaped by the Russian Revolution. It emphasizes how the company transcended nationalistic boundaries through a blend of cultural influences.

The documentary celebrates the avant-garde by highlighting collaborations between dance and radical visual artists like Picasso. This portrayal challenges traditional Western artistic structures through an internationalist lens.

There is no significant evidence regarding the portrayal of physical or neurodivergent disabilities within the film.