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The South

Name: The South
Director: Fernando E. Solanas
Released: 1988
Duration: 127 min

Representation Score

8.6/10

Excellent

1988

Director

Fernando E. Solanas

Runtime

127 minutes

Average Rating

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New Showbiz Analysis

Fernando Solanas presents a film that prioritizes post-colonial critique over traditional character-driven narratives. Its strength lies in its radical rejection of Western hegemony and its focus on the Global South. While the film excels in systemic deconstruction, it lacks specific representation for individual identities, such as LGBTQ+ or disability-focused narratives. Ultimately, the film is a landmark of Third Cinema, framing the periphery as a site of ability to act.

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Category Breakdown

Does The South have LGBTQ+ representation?

Fair

The film doesn't include explicit stories about LGBTQ+ individuals or same-sex relationships. However, it questions social structures in a way that makes straight-centered assumptions less important.

How does The South portray gender?

Fair

The focus is on collective socio-political struggles rather than individual gender dynamics. By emphasizing the community over the nuclear family, the film subtly challenges traditional patriarchal structures.

How racially and ethnically diverse is The South?

Excellent

The film highlights the identities and aesthetics of non-Western cultures. It portrays populations in the Global South as central actors in a struggle against neo-colonialism.

How does The South represent religion and culture?

Excellent

This work is a strong anti-imperialist critique. It challenges Western institutions and prioritizes systemic, secular critiques over religious morality.

Does The South include disability representation?

Fair

There are no specific disability-driven character arcs. The film explores systemic vulnerability caused by economic and colonial structures in a metaphorical way.

Present on Screen

Highlights the identities and aesthetics of non-Western cultures.
Strongly deconstructs Western capitalist and imperialist structures.
gives real power to underrepresented populations through a post-colonial lens.

Limited or Absent

No explicit LGBTQ+ character arcs or queer narratives.
No specific, character-driven disability representation.
Little focus on individual gender dynamics and personal identity.

Official Synopsis

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

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