The film operates within a traditional heteronormative framework. There is no evidence of non-cisnormative gender identities or same-sex intimacy, focusing instead on male camaraderie and traditional romantic archetypes.

While female characters like Milady de Winter drive plot intrigue, the primary agents of action are male. The film adheres to period tropes where women serve as romantic interests or catalysts for male conflict.

The cast is predominantly white and Eurocentric, reflecting its 17th-century French setting. It does not utilize color-blind casting or diverse metaphors, presenting a homogeneous depiction of the era's aristocracy.

The story centers on Western institutions like the Monarchy and the Catholic Church. Slapstick satire involving the Cardinal and the King serves genre-standard comedy rather than a systemic critique of these institutions.

There is no discernible focus on characters with visible or invisible disabilities. The film prioritizes physical prowess and slapstick movement, offering no basis for evaluating disability agency.