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Me, Myself and I

Name: Me, Myself and I
Director: Orestis Laskos
Released: 1964
Duration: 106 min

Representation Score

1.4/10

Minimal

1964

Director

Orestis Laskos

Runtime

106 minutes

Average Rating

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New Showbiz Analysis

Me, Myself and I is a product of its time, functioning as a traditional character study. It reinforces established social and gender hierarchies rather than challenging them. The film uses a classic comedic structure to explore individual morality. While the protagonist's isolation serves as a cautionary tale, the underlying social framework remains conventional. Ultimately, the work lacks the intentionality needed to disrupt mid-century cinematic clichés, focusing instead on the consequences of selfishness within a standard Mediterranean social landscape.

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Category Breakdown

Does Me, Myself and I have LGBTQ+ representation?

Minimal

The film focuses on heterosexual relationships and traditional courtship. There are no queer narratives or non-binary gender identities present.

How does Me, Myself and I portray gender?

Limited

The story centers around the male protagonist's self-interest and influence. Female characters play crucial roles but mostly react to his actions and decisions.

How racially and ethnically diverse is Me, Myself and I?

Limited

The setting is culturally uniform, typical of 1960s Greek comedy. A Czech secretary adds a minor international element but does not challenge the predominantly white cast.

How does Me, Myself and I represent religion and culture?

Limited

The story examines class dynamics and social standing within traditional structures. It highlights personal accountability and moral outcomes within a conventional social order.

Does Me, Myself and I include disability representation?

Minimal

There are no characters with visible or invisible disabilities featured in the narrative.

Present on Screen

The film provides a clear cautionary tale about the social consequences of extreme selfishness and irresponsibility.
It offers a focused character study of a protagonist navigating complex romantic and professional entanglements.

Limited or Absent

The narrative reinforces traditional gender hierarchies where male desires dictate the plot.
The film lacks meaningful racial or ethnic diversity, remaining culturally homogeneous.
There is an absence of LGBTQ+ representation or non-assuming gender matches what was assigned at birth identities.

Official Synopsis

Yangos Aggelis (Lambros Konstantaras), director of a factory, is the type of classical friend. He is only interested in himself while he is engaged for five years with Eleni (Beata Asimakopoulou) whom she does not say married. At the same time he is sexually attached to his czech secretary, Lilly, whom he wants to marry with an impoverished employee in order to have his hand. When she learns that Mrs. Papageorgiou (Miranda Myrat), the widow of the factory owner, intends to remarry, she does not hesitate to apply. However, his excessive selfishness and irresponsible attitude lead him to complete isolation, as everyone leaves him.

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