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A Pain in the Ass

Name: A Pain in the Ass
Director: Édouard Molinaro
Released: 1973
Duration: 85 min

Representation Score

2.5/10

Limited

1973

Director

Édouard Molinaro

Runtime

85 minutes

Average Rating

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New Showbiz Analysis

Édouard Molinaro’s film is a traditional European comedy of manners that emphasizes situational irony over social commentary. It operates as a closed system of absurdity, adhering closely to the demographic norms of 1970s France. The film does not intentionally address multi-layered identities or dismantle social hierarchies. Instead, it relies on established comedic formulas of the time, focusing on individual character neuroses without broad representation.

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Category Breakdown

Does A Pain in the Ass have LGBTQ+ representation?

Minimal

The film centers on a hitman and a neurotic civilian, without including any characters with non-traditional gender identities or exploring relationships outside of the assumption that everyone is straight.

How does A Pain in the Ass portray gender?

Fair

A female character challenges the male protagonist's control, but the film mainly focuses on his reactions and does not significantly change traditional gender roles.

How racially and ethnically diverse is A Pain in the Ass?

Minimal

The cast is mostly white, reflecting the cultural context of 1970s French comedy. There are no diverse ethnic perspectives in the narrative.

How does A Pain in the Ass represent religion and culture?

Limited

The film focuses on social absurdity and individual neuroses rather than critiquing traditional institutions or broader societal norms.

Does A Pain in the Ass include disability representation?

Minimal

Psychological instability and neurosis are used primarily as comedic elements, lacking a nuanced depiction of mental health issues.

Present on Screen

The film excels in situational absurdity and comedic timing.
It provides a sharp, character-driven look at individual neurosis and social disruption.

Limited or Absent

The film lacks representation of LGBTQ+ identities or non-traditional gender perspectives.
The cast lacks racial and ethnic diversity, staying within a specific European social context.
Themes of mental health are used as comedic devices without nuanced portrayals.

Official Synopsis

Ralf Milan, a hitman, arrives in Montpellier to kill an important witness. He checks in a hotel without knowing that his neighbour has become neurotic after his wife left him.

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