
A Kiss Before Dying
1956

Representation Score
Minimal
1962
NRDirector
Anatole Litvak
Runtime
108 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Five Miles to Midnight is a traditional mid-century prison drama that centers on a homogeneous cast. The narrative primarily explores the moral quandaries of a white male ensemble within a correctional facility. Although the film acknowledges the racial segregation of the American South, it does not offer substantial depth to non-white characters. The setting serves as a backdrop for white interpersonal dynamics without providing meaningful multi-layered exploration. Ultimately, the film operates within the conventional social norms of its time. It examines individual ethics but does not challenge established systemic power structures or social hierarchies.
Category Breakdown
The film does not depict any LGBTQ+ identities or same-sex relationships, sticking closely to the heterosexual norms of 1962.
Set in a male prison, the story offers very little for female characters. The environment emphasizes male dominance through aggression and camaraderie.
While the film recognizes the segregated South, character development is limited to white characters. This limits exploration of diverse racial backgrounds.
The narrative delves into moral relativism and the ethics of betrayal. However, it focuses on personal morality rather than critiquing societal institutions.
There are no prominent portrayals of physical or mental disabilities. Characters are defined by their criminal status rather than any health issues.
Present on Screen
Limited or Absent
Official Synopsis
American ex-Air Force man and current businessman Bob Macklin is married to the impoverished Italian-born Lisa. Bob’s jealousy and immaturity irks Lisa, who tells him she’s planning to file for a divorce before his plane departs on a business trip for Casablanca.

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