
The 24th
2020

2022
Director
Rachid Bouchareb
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
Inspired by the story of Malik Oussekine, an affair of police violence which is believed to have caused the death of 22-year-old Malik Oussekine on the night of 5-6 December 1986, following several weeks of student protests against a university reform bill
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film focuses on political activism rather than queer-centric storylines. While the 1980s setting provides a backdrop of shifting social norms, there is no explicit focus on LGBTQ+ agency.
Gender Representation
Female students are depicted as active participants with intellectual and political agency. The narrative challenges masculine-dominated views of insurrection by centering women within the ideological struggle.
Racial & Ethnic Diversity
The film excels by placing a person of color at the heart of its systemic critique. It highlights the disproportionate impact of police violence on marginalized communities.
Religious & Cultural Diversity
The story critiques Western institutions and the state's policing apparatus. It frames the government's response to protests as corrupt and heavy-handed through the lens of social justice.
Disability Representation
The narrative prioritizes socio-political identity over neurodivergence or physical disability. Disability is not used as a primary driver of character agency or a central thematic element.
Strengths
Areas for Improvement
AI Analysis
Our Brothers serves as a historical reconstruction of the 1986 Malik Oussekine affair, focusing on the friction between student activism and state authority. The film uses this tragedy to dismantle the perceived neutrality of historical institutions. The work is most successful in its racial and cultural critiques, centering the lived experiences of minority populations against systemic power. It effectively uses a specific historical event to challenge the stability and morality of the established order. However, the film lacks depth in its representation of LGBTQ+ identities and disability. These elements remain secondary to the central themes of political insurrection and racial justice.

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