
The Statue
1905

Representation Score
Fair
1909
Director
Émile Cohl
Runtime
5 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Émile Cohl’s early animated short is a pioneering work of surrealism that centers on objects coming to life rather than character development. The film's impact comes from its disruption of social order and bodily autonomy through a sentient prosthetic. While the film doesn’t include much demographic diversity or layered representation, it offers a unique critique of social norms. By having the dentures attack various figures, including the police, the film questions everyone's ability to maintain control. Overall, the film is a product of its time, operating within a European context. Its strength lies in its surreal disruption of stability rather than its engagement with modern representation concepts.
Category Breakdown
The film doesn't show any non-straight relationships. It focuses on a traditional family setup where interactions revolve around a sentient object and other characters.
It shows a traditional family structure led by a mother-in-law. However, the dentures attack both men and women, which temporarily levels the social playing field by making everyone equally vulnerable.
The cast seems to be made up of similar types of people, mostly fitting a European tradition. There's no sign of racial diversity or the use of ethnic metaphors.
The story rejects the idea of a well-ordered home by showing the dentures as a source of chaos. This challenges the idea of a stable Western household.
A prosthetic serves as the main plot device, but it's used as a comedic antagonist rather than a realistic portrayal of physical differences.
Present on Screen
Limited or Absent
Official Synopsis
Mother in law gets a new set of dentures. Despite being initially happy, the family soon discovers the teeth have a life of their own and jump from their owner's mouth and bite everyone who comes near--from ladies to gentlemen to policemen.

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