You are here:

A Petty Middle Manager

Name: A Petty Middle Manager
Director: Lee Bong-rae
Released: 1961
Duration: 105 min

Representation Score

2.2/10

Limited

1961

Director

Lee Bong-rae

Runtime

105 minutes

Average Rating

No ratings yet

New Showbiz Analysis

A Petty Middle Manager is a traditional drama from 1961 that operates within the established social and cinematic norms of its time. The narrative centers on a male protagonist's personal and career-related struggles, reflecting domestic and professional instability. The film lacks intentional subversion of social hierarchies. Instead, it reinforces traditional structures, particularly regarding gender roles and the sanctity of the nuclear family, offering little room for diverse perspectives. Ultimately, the film serves as a period piece that reflects the homogeneous cultural and social landscape of early 1960s South Korea.

Watch this, not that →

Category Breakdown

Does A Petty Middle Manager have LGBTQ+ representation?

Limited

The film focuses on a domestic crisis involving infidelity and workplace dynamics. There is no evidence of LGBTQ+ identities or non-cisgender gender expressions.

How does A Petty Middle Manager portray gender?

Limited

The story centers on a male protagonist's struggle with his marriage and career. Female characters appear to function as catalysts for the male protagonist's emotional growth rather than as independent agents.

How racially and ethnically diverse is A Petty Middle Manager?

Fair

As a South Korean production, the film features a Korean cast and cultural context. It reflects a homogeneous ethnic landscape typical of its domestic industry.

How does A Petty Middle Manager represent religion and culture?

Limited

The plot engages with traditional social structures, specifically workplace hierarchies and the nuclear family. It focuses on moral dilemmas within a conventional social framework.

Does A Petty Middle Manager include disability representation?

Minimal

There is no evidence of characters with visible or invisible disabilities within the narrative.

Present on Screen

Provides a non-Western cinematic perspective through its South Korean production and cultural context.

Limited or Absent

Lacks representation of LGBTQ+ identities or non-cisgender gender expressions.
Female characters appear to lack independent ability to act, serving primarily as drivers for the male protagonist's arc.
The narrative maintains a homogeneous ethnic and social landscape without multi-layered diversity.
There is no visible or invisible disability representation within the story.

Official Synopsis

When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles.

How are these scores produced? →