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Ride bene... chi ride ultimo

Name: Ride bene... chi ride ultimo
Director: Gino Bramieri, Walter Chiari, Pino Caruso, Vittorio Sindoni
Released: 1977

Representation Score

3.4/10

Limited

1977

Director

Gino Bramieri, Walter Chiari, Pino Caruso, Vittorio Sindoni

Average Rating

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New Showbiz Analysis

Ride bene... chi ride ultimo is a multi-narrative anthology comedy reflecting the social tensions of late 1970s Italy. It explores class and institutional friction through various social vignettes. The film's strength lies in its cross-cultural elements and the creative influence of its directors. However, it remains largely tied to the era's conventional storytelling patterns and traditional gender roles. Ultimately, the work occupies a transitional space, offering glimpses of identity-based narratives while relying heavily on established comedic archetypes.

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Category Breakdown

Does Ride bene... chi ride ultimo have LGBTQ+ representation?

Fair

The presence of Pino Caruso in the directorial credits suggests a possible engagement with LGBTQ+ themes. However, the film does not explicitly confirm any specific LGBTQ+ plotlines.

How does Ride bene... chi ride ultimo portray gender?

Limited

The film seems to rely on traditional comedic archetypes and domestic clichés. There is little evidence of women taking a leading role in driving the central plots or challenging patriarchal hierarchies.

How racially and ethnically diverse is Ride bene... chi ride ultimo?

Fair

The inclusion of a sheikh interacting with a local official introduces cross-cultural encounters. This adds a layer of diversity by featuring non-Western figures.

How does Ride bene... chi ride ultimo represent religion and culture?

Fair

Scenes involving a sacristan and a mistaken priest highlight religious and class-based social friction. The film uses traditional institutions as comedic set pieces.

Does Ride bene... chi ride ultimo include disability representation?

Minimal

There is no apparent portrayal of physical or neurodivergent disabilities in the film's narrative.

Present on Screen

The inclusion of a sheikh introduces cross-cultural interaction and non-Western perspectives.
The directorial involvement of Pino Caruso suggests a capacity for navigating complex identity themes.

Limited or Absent

The narrative relies heavily on traditional gender archetypes and conventional domestic clichés.
The film lacks evidence of characters subverting established social or patriarchal hierarchies.

Official Synopsis

Misadventures of a sacristan with three eager tourists, a commendatore with a sheikh, a worker who is passionate about hunting with a wife too good and an appearance mistaken for a priest with a patrician family.

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