The film lacks explicit depictions of LGBTQ+ identities or non-heteronormative romance. Instead, it explores transgressive incestuous relationships that disrupt traditional family structures through psychological trauma.

Alma drives the narrative through her own desperate decisions and pursuit of autonomy. The presence of Refugio and her female-led group of preachers further subverts traditional patriarchal hierarchies.

The setting focuses on socio-economic outsiders within traveling circuses and impoverished neighborhoods. This suggests a narrative emphasis on class-based diversity and those living outside affluent structures.

The film critiques traditional institutions by presenting religious figures in a subversive, performative light. It avoids singular morality, instead focusing on the deconstruction of the sacred family unit.

The inclusion of a sick clown introduces themes of physical and mental frailty. This integrates human vulnerability and the impact of physical decline into the central conflict.