
The Girls
1962

Representation Score
Good
1989
RDirector
Vasili Pichul
Runtime
115 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film successfully challenges traditional gender hierarchies by focusing on a female protagonist's social consequences. It avoids the cliché of the stable male leader, instead showing men as emotionally unstable or unreliable. However, the work remains limited by its lack of LGBTQ+ representation and racial diversity. The social environment is depicted as largely uniform, adhering to the demographic norms of its specific era and setting. Ultimately, the film's progressive edge comes from its deconstruction of institutional stability. It replaces moralistic social cohesion with a character-driven study of alienation and subjective morality.
Category Breakdown
The film focuses on heterosexual relationships and does not include any non-cisgender identities or same-sex intimacy among the main characters.
Lena is a strong female lead whose emotional intensity drives the plot. Men are portrayed as unreliable or socially disruptive rather than traditionally competent.
The film depicts a fairly uniform social environment set in the late-Soviet Black Sea region. It does not challenge the racial demographics typical of its time and place.
The narrative explores moral ambiguity and the collapse of social structures. It emphasizes themes of displacement and existential unease over traditional or state-sanctioned values.
Psychological instability and mental health issues are central to the plot. These elements are often used for comedic or dramatic effect rather than nuanced exploration of neurodivergence.
Present on Screen
Limited or Absent
Official Synopsis
In this farcical dark comedy/melodrama, Lena manages to lose her place at college by virtue of throwing a minor hissy-fit when she catches her erstwhile boyfriend in bed with another girl. Instead of penalizing the boy for his behavior, Lena gets stuck with a court appearance and must pay a small fine, in addition to losing a boyfriend, her college career, and an apartment. Lena belongs to a film club which occasionally hands out awards, and the membership of it decides to send her into the Russian hinterlands to hand out an award to an obscure filmmaker. Throughout the film, Lena has been associated with a bizarre con man named Stepanych who, when his cons fall through, comes to her in the distant town she has gone to seeking her help in committing suicide.

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