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The White Queen

Name: The White Queen
Director: Jean-Loup Hubert
Released: 1991
Duration: 119 min

Representation Score

5.3/10

Fair

1991

Director

Jean-Loup Hubert

Runtime

119 minutes

Average Rating

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New Showbiz Analysis

The film uses racial diversity to create tension, introducing a multi-ethnic family to challenge the social norms of a historically homogeneous 1960s French community. This adds a layer of complexity that challenges the era's social norms. While the female lead plays a significant role in driving the story, acting as the central catalyst for the film's primary conflict, the story remains anchored in traditional gender roles and straight-centered romantic competition. Male professional identities and historical rivalries continue to drive the plot's momentum. Ultimately, the film deconstructs the perceived sanctity of the traditional domestic unit, balancing its exploration of racial integration with a lack of LGBTQ+ or disability representation.

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Category Breakdown

Does The White Queen have LGBTQ+ representation?

Limited

The film focuses on traditional romantic relationships and marriages, lacking explicit representations of LGBTQ+ identities or queer romantic arcs.

How does The White Queen portray gender?

Fair

Liliane plays a central role in driving the main conflict, but the story is also heavily influenced by male professional identities and past rivalries.

How racially and ethnically diverse is The White Queen?

Good

Introducing a Black family into a traditionally homogeneous 1960s French setting creates a transformative narrative force, challenging social norms and exposing community tensions.

How does The White Queen represent religion and culture?

Good

The film explores the tension between established traditions and external changes, questioning the stability of traditional Western family structures.

Does The White Queen include disability representation?

Minimal

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the work.

Present on Screen

The inclusion of a Black family serves as a transformative narrative force, challenging 1960s social homogeneity.
The female protagonist plays a significant role in driving the story, acting as the central catalyst for the film's primary conflict.
The story effectively critiques provincial social rigidity and the perceived stability of traditional family structures.

Limited or Absent

The narrative lacks explicit representation of LGBTQ+ identities or queer romantic arcs.
The plot remains heavily driven by traditional male professional identities and historical rivalries.
There is no discernible representation of physical or neurodivergent disabilities.

Official Synopsis

In 1960, in a coastal town near to Nantes, Jean Ripoche lives with his wife Liliane, their four children and Liliane’s father Lucien. Jean divides his time between running his plumbing business and making a float for the Nantes carnival. The Ripoche’s ordered lives are thrown into turmoil when Jean’s former friend, Yvon Legualoudec, returns to the town – with his black wife Annabelle and their three children. Before he disappeared twenty years ago, without saying a word, Yvon was Jean’s rival for Liliane’s affections. As bitter memories resurface, the relationship between Jean, Yvon and Liliane become strained.

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