The film adheres to the heteronormative social structures of the late 19th century. No queer romantic arcs or non-cisnormative identities are depicted.

Fanny demonstrates agency by making a pragmatic marriage choice to secure her child's future. However, the story remains bound by traditional expectations of motherhood.

The narrative reflects the homogeneous demographic landscape of period-specific Paris. There is no significant evidence of racial or ethnic diversity in the cast.

The film critiques bourgeois institutions and social hierarchies. It highlights the tension between class-based morality and the economic realities of the working class.

There are no prominent depictions of physical or neurodivergent disabilities that impact the characters or drive the narrative forward.