
As the Moon
1977

1956
NRDirector
Mario Soldati
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
The Provence, somewhere in the 1950's. Paul Verdier, traveling salesman, leaves his home and his quarrelsome wife for his weekly round. On the train he meets a young woman, Marie, who looks a little lost. No wonder. Marie is pregnant but lacks the customary husband. She's returning to her village but is not exactly looking forward to the confrontation with her parents and the villagers, all pretty conservative people. After getting to know Paul a little better (for which there is ample time during the trip by train and bus) Marie decides to ask Paul to act as her husband, just to allay the suspicions of her family. After some hesitating Paul accepts, charmed by the girl and unaware of the complications such is bound to cause to his own life.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The narrative focuses on a heterosexual deception to navigate social expectations. There is no evidence of LGBTQ+ characters or non-heteronormative identities.
Gender Representation
Marie demonstrates significant agency by orchestrating a deception to protect her autonomy. While the conflict involves traditional family units, female-driven necessity disrupts the male-led domestic sphere.
Racial & Ethnic Diversity
Set in 1950s Provence, the film reflects the demographic homogeneity of the era. There is no indication of a multi-ethnic cast or non-white characters.
Religious & Cultural Diversity
The film critiques rigid social structures by framing an unwed pregnancy and temporary bigamy as a sympathetic struggle. It prioritizes situational ethics over communal dogma.
Disability Representation
No visible or invisible disabilities are mentioned in the narrative. A score cannot be accurately assigned.
Strengths
Areas for Improvement
AI Analysis
The film serves as a period piece exploring the friction between individual agency and conservative societal structures. It uses a localized social conflict to challenge mid-century moralities. While the work lacks modern intersectional breadth regarding racial and LGBTQ+ representation, it offers a meaningful critique of traditional mores. The protagonists bypass conventional morality to address personal necessity. Ultimately, the film's strength lies in its character-driven subversion of social norms rather than its demographic variety.

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