
Second Weaver
1966

Representation Score
Good
1966
Director
Susie Benally
Runtime
23 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A Navajo Weaver is a key piece of ethnographic cinema that challenges Western views on labor. By emphasizing the intellectual and physical demands of weaving, the film avoids presenting Indigenous life as merely decorative. The narrative structure shifts the viewer's focus from the completed rug to the intricate, systemic nature of Navajo life. This approach effectively counters colonial perspectives on labor and value. Overall, the film offers a deep look into Indigenous sovereignty, capturing a specialized craft that is closely tied to the land and traditional practices.
Category Breakdown
The film does not explicitly depict LGBTQ+ identities or relationships that go beyond the assumption that everyone is straight or cisgender. The story focuses on the detailed process of weaving.
The film emphasizes the technical skills of women by showcasing the complex, multi-step process of weaving. It portrays women's work as a sophisticated, systemic activity rather than a simple household task.
Indigenous individuals have significant roles throughout the film. The story highlights Navajo craftsmanship and the importance of land and traditions in wool production.
The film showcases a self-sufficient economy based on traditional ecological knowledge. It presents a perspective on labor that centers on spirituality and community, separate from Western consumer culture.
The film does not depict physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
The filmmaker's mother, weaver Alta Kahn, weaves a rug. The film also shows how the weaver's job consists of of raising the sheep, shearing the wool, digging yucca roots for soap with which to wash the wool, carding and spinning, walking, digging and searching for roots with which to make dye, dying the wool, and putting the warp on the loom.

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