
Things to Come
2016

Representation Score
Fair
2004
Director
Mia Hansen-Løve
Runtime
13 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mia Hansen-Løve’s drama dismantles traditional social norms by portraying the dissolution of a marriage as an act of honesty. The film challenges domestic hierarchies, focusing on character's ability to drive the story rather than melodramatic stereotypes. However, the work remains within a narrow social scope. The narrative lacks depth in terms of racial diversity and LGBTQ+ identities, staying centered on a homogeneous French context. Ultimately, the film explores emotional truth and evolving family structures, though it does not significantly challenge historical norms of representation.
Category Breakdown
The film examines how familial bonds change and the flexibility of romantic relationships. However, it doesn't clearly show non-straight or non-cisgender identities or hints at queerness.
The story focuses on the emotional independence of its characters, breaking away from traditional gender roles and favoring open communication.
The story takes place in a relatively uniform social and ethnic environment. There is no indication of intentional racial mixing or diverse casting within this specific setting.
The film prioritizes personal emotional truth over upholding traditional institutions like marriage. It sees the nuclear family as flexible rather than sacred.
There is no mention of characters dealing with physical, neurological, or mental health conditions.
Present on Screen
Limited or Absent
Official Synopsis
Jacques summons to lunch his two children, adults already. He is about to break up with their mother and the time has come for him to return, in a most honest possible way, on the stories of his past and present love life.

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