S.O.S.

The film does not include explicit LGBTQ+ identities or stories that question the idea that everyone is straight. The era's surrealist animation style allows for flexible character designs, but the story stays within traditional comedic themes.

Betty Boop stands out with her wit and independence, challenging the submissive female stereotypes of the 1930s. Her presence disrupts the typical domestic ideals of the time.

The cast includes typical anthropomorphic and humanized characters common in early American animation. There is no indication of a predominantly non-white cast or intentional mixing of racial identities.

The pirate setting emphasizes a focus on chaotic situations and moral ambiguity rather than stable Western institutions. This fits the era's preference for irreverent and anti-authoritarian humor.

There is no information about the portrayal of physical or neurodivergent characters in this work.