The film centers entirely on the fraternal bond between the Rutledge brothers. It adheres to the heteronormative social constraints of the early 20th-century military, offering no depictions of non-cisnormative identities.

The narrative is driven almost exclusively by male combatants and their technical skills. Women lack central agency, as the film functions as a study of masculine duty and military hierarchy.

The cast reflects the homogeneous demographic of the British and Allied air services. There is a notable lack of racial or ethnic diversity within the primary characters.

The story operates within a framework of traditional Western institutionalism and patriotism. It reinforces conventional wartime values and the structured hierarchy of the Royal Flying Corps.

Physical injury is treated as a standard consequence of the war genre. The film lacks characters with agency or depth regarding neurodivergence or lived experiences of disability.