The film adheres to 1930s heteronormative standards. While scholars note the protagonist's rejection of domesticity, there is no explicit depiction of same-sex intimacy or non-cisnormative identities.

Queen Christina is a figure of supreme intellectual and political agency. The narrative subverts traditional hierarchies by prioritizing her personal autonomy over the expected roles of wife and mother.

The cast is a homogeneous European aristocratic group. The film lacks color-blind casting or the inclusion of non-Anglo-Saxon characters within the 17th-century Swedish court setting.

The story explores the tension between institutional duty and personal truth. It presents a nuanced view of power by treating the protagonist's subjective morality with dignity.

The film does not feature characters with visible or invisible disabilities as central plot elements.