
Garlic Is as Good as Ten Mothers
1980

Representation Score
Excellent
1987
Not RatedDirector
Les Blank
Runtime
31 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Les Blank’s documentary effectively challenges conventional beauty standards by highlighting individual ability to act and acceptance. It elevates female intellect and status, moving beyond passive consumption to empowerment. While the film excels in gender representation and challenging beauty industry standards, it lacks specific LGBTQ+ narratives and detailed information about the racial composition of participants.
Category Breakdown
The film highlights various female voices but does not provide specific LGBTQ+ character arcs or narratives centered around queer identities.
The documentary challenges traditional gender roles by reclaiming a perceived flaw as a symbol of strength. It emphasizes the intellectual achievements of women like Sandra Day O'Connor.
The film aims to explore societal attitudes towards beauty standards across different ethnic groups but does not specify the racial makeup of the participants.
The narrative criticizes the capitalist nature of the Western beauty industry and promotes individual self-esteem over unattainable physical ideals.
The film examines the psychological impact of living in a society that stigmatizes physical differences, focusing on the lived realities and personal ability to act of the subjects.
Present on Screen
Limited or Absent
Official Synopsis
A charming valentine to women born with a space between their teeth, ranging from lighthearted whimsy to a deeper look at issues like self-esteem and societal attitudes toward standards of beauty. Interviews were conducted with over one hundred women, including model Lauren Hutton and Supreme Court Justice Sandra Day O’Connor.

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