Done in Oil

The film does not include any non-straight or non-cisgender identities or same-sex relationships. It seems to follow the typical assumptions of 1930s cinema.

Thelma is a key character who drives the plot forward through a deceptive plan. However, her ambition might just serve as a comedic element rather than a challenge to traditional gender roles.

The story lacks any indication of a diverse cast or non-Anglo-Saxon actors. It follows a traditional Western comedic format that historically favored homogeneous casting.

The story mocks European high culture by focusing on the pretense of being a French painter. This emphasizes social class and superficiality over meaningful cultural critique.

There is no information available regarding the inclusion of characters with physical or neurodivergent disabilities.