
Adiós Gringo
1965

Representation Score
Limited
1971
Director
Gino Mangini
Runtime
97 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Bastardo, vamos a matar operates as a conventional Western that adheres to established genre expectations. While it avoids the typical Anglo-centric hero cliché by centering a Mexican protagonist, it does little to disrupt broader social hierarchies. The film's strength lies in giving Chaco the power to drive the plot. However, the narrative structure remains rooted in traditional masculine struggles and lacks complexity in gender or LGBTQ+ representation. Ultimately, the film functions as a standard justice-seeking tale, providing moderate ethnic visibility but failing to engage with deeper cultural or social subversions.
Category Breakdown
The film does not include any visible LGBTQ+ identities or same-sex relationships. The story revolves around heterosexual romance and traditional masculinity. There are no critiques of the assumption that everyone is straight or cisgender in the narrative.
The story focuses on a male protagonist and a male bounty hunter, relying on conventional masculine archetypes. There is insufficient information to assess the roles of female characters.
Chaco, a Mexican protagonist, provides a departure from the typical Anglo-centric Western hero. He plays a central role in driving the plot. However, the overall ethnic makeup of the cast remains unclear.
The plot follows a standard revenge storyline common to Westerns. It does not prioritize the deconstruction of Western institutions. No specific secularist or anti-capitalist themes are evident.
There is no mention of characters with visible or invisible disabilities. The narrative does not address neurodivergence or physical impairments.
Present on Screen
Limited or Absent
Official Synopsis
Chaco, a Mexican on the run from just about everyone, is framed for the killing of a couple of Mexican cattlemen. Everyone knows he's innocent but the evidence is substantial. Chaco escapes and with the help of a bounty hunter, goes after the real murderers.

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1971
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