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The Rose Of Baghdad

Name: The Rose Of Baghdad
Director: Anton Gino Domenighini
Released: 1949
Duration: 76 min

Representation Score

2.1/10

Limited

1949

Director

Anton Gino Domenighini

Runtime

76 minutes

Average Rating

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New Showbiz Analysis

The Rose of Baghdad adheres to traditional storytelling methods common during the post-war era. It relies heavily on archetypal characters like the noble hero and the evil antagonist to convey a straightforward moral message. The narrative emphasizes established social hierarchies and traditional gender roles. Although set in a culturally specific environment, the story structure favors conventional stereotypes over nuanced representation.

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Category Breakdown

Does The Rose Of Baghdad have LGBTQ+ representation?

Minimal

The film does not include any non-straight or non-cisgender identities. It focuses on traditional romantic relationships without challenging these norms.

How does The Rose Of Baghdad portray gender?

Limited

The story centers around Princess Zeila, who is treated as a prize for male characters to compete for. Men drive the main plot through conflict and active roles.

How racially and ethnically diverse is The Rose Of Baghdad?

Fair

The film sets its story in a Middle Eastern context typical of 1949 animation. However, it leans on stereotypical Orientalist aesthetics and relies on conventional character types rather than offering deeper character development.

How does The Rose Of Baghdad represent religion and culture?

Limited

The plot draws from classical folklore and established mythologies, reinforcing traditional social order and moral binaries.

Does The Rose Of Baghdad include disability representation?

Minimal

There are no visible or invisible disabilities mentioned or implied within the character descriptions.

Present on Screen

Engages with a culturally specific Middle Eastern setting and folklore.
Uses classic, recognizable archetypes like the magical Genie.

Limited or Absent

Does not challenge traditional gender hierarchies, treating the female lead as a prize.
Relies on Orientalist aesthetics instead of providing deeper character development.
Lacks representation of non-straight or non-cisgender identities or diverse social structures.

Official Synopsis

Princess Zeila, daughter of Caliph Oman III, is preparing to review the nobles who aspire to her hand. The sinister Prince Jafar plots in the shadows: the young musician Amin will see to it that love can triumph, with the help of the Genie of the Lamp.

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