The film lacks any discernible presence of queer subtext or non-cisnormative identities. It adheres to the heteronormative frameworks common in early 1980s European genre cinema.

Female characters are frequently positioned as subjects of vulnerability within traditional horror tropes. The narrative reinforces established patterns where masculine agency is tied to survival.

The casting is a homogeneous, primarily white European ensemble. While consistent with the WWII-era French setting, the film lacks any racial diversity or metaphorical representation.

The story functions as a standard supernatural survival narrative. It uses historical WWII trauma as a horror spectacle rather than engaging in systemic or post-colonial critique.

There is no evidence of neurodivergent or physically disabled characters being afforded agency. The undead elements serve as monstrous antagonists rather than meaningful representations of disability.