The film contains no discernible LGBTQ+ characters or themes. It adheres to standard 1980s exploitation archetypes without exploring non-cisnormative identities.

Female characters primarily function within the 'damsel in distress' framework. There is little evidence of subverting traditional gender hierarchies or providing significant female agency.

The cast reflects a European-centric co-production model. Despite the desert setting, the narrative lacks a non-white majority cast or intentional race-bent casting.

The plot focuses on the pursuit of Nazi gold and material wealth. It follows a standard adventure-horror structure without critiquing Western institutions or capitalism.

No characters with visible or invisible disabilities are identified. The zombies serve as horror devices rather than nuanced explorations of disability or neurodivergence.