The film provides no information regarding the sexual orientation or gender identity of its participants. Consequently, no assessment of non-heteronormative representation can be made.

The documentary focuses on the shared human condition of perception rather than a gender-specific hierarchy. It maintains a neutral observational stance without explicitly subverting traditional gender roles.

As a Brazilian production, the film operates outside Anglo-Saxon cinematic hegemony. However, the specific racial breakdown of the nineteen participants is not explicitly detailed.

The film uses poetic, non-linear imagery like burning trees to prioritize subjective truths. This stylistic choice centers internal perception over a singular, objective documentary standard.

The narrative centers on the agency of nineteen individuals with varying visual impairments. It avoids 'inspiration porn' by presenting a nuanced spectrum from mild nearsightedness to total blindness.