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Basta de mujeres

Name: Basta de mujeres
Director: Hugo Moser
Released: 1977
Duration: 91 min

Representation Score

2.2/10

Limited

1977

Director

Hugo Moser

Runtime

91 minutes

Average Rating

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New Showbiz Analysis

Basta de mujeres is a product of the 1970s Argentine 'picaresca' genre, emphasizing established social archetypes over narrative innovation. The film operates within a conventional framework centered on heterosexual relationship dynamics and traditional comedic structures. The narrative structure relies heavily on mid-century social norms, focusing on workplace dynamics and marital infidelity. This approach limits the representation of diverse identities, favoring a homogeneous cast and predictable gender roles. Ultimately, the film serves as a commercial comedy of its era, offering little disruption to the established social or gender hierarchies of the time.

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Category Breakdown

Does Basta de mujeres have LGBTQ+ representation?

Limited

The film does not include characters with non-binary gender identities. The storyline revolves around traditional marriage conflicts, which suggests a focus on heterosexual relationships.

How does Basta de mujeres portray gender?

Limited

The title and plot suggest a reliance on traditional gender roles. Women might serve as objects of desire or catalysts for male-driven action rather than independent actors.

How racially and ethnically diverse is Basta de mujeres?

Fair

The casting reflects the demographic uniformity typical of 1970s Argentine mainstream cinema. There is no indication of significant racial diversity among the main characters.

How does Basta de mujeres represent religion and culture?

Limited

The film adheres to traditional mid-century comedic values and social norms. It focuses on marital infidelity and conventional domestic life without challenging systemic issues.

Does Basta de mujeres include disability representation?

Minimal

There is no mention of characters with visible or invisible disabilities in the story.

Present on Screen

Features Susana Giménez, a significant cultural icon of the era.
Uses established comedic structures characteristic of the Argentine picaresca genre.

Limited or Absent

Relies on traditional gender roles that position women as catalysts for male-driven action.
Lacks representation of non-binary gender identities or diverse racial backgrounds.
Maintains a demographic homogeneity typical of mainstream 1970s commercial cinema.

Official Synopsis

Alberto, who has been married to Laura for twenty years, meets Monica in his office, a serious and formal employee with whom he strikes up a friendship.

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